An unintentional double exposure of women hoeing a field. The first film in the stack jammed in the camera, forcing me to open the back and move it around. Certain that the film had been hit with daylight, I didn't even look when I raised the camera and fired off the shot that would eject that all-white print. What came out instead was a colorful surprise. ... I like the reemergence of the farmer, who I tried to hide behind the pole in the first shot. A bad idea to begin with. In the second he fell into frame in the top right corner, walking perpendicular to the parallel rows I'd been watching. It's an orientation I would have never gone for in a composition, but - thanks to the accident - I like it. It will give me something to think about now when I shoot.

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